Big Draw London Launch 2002

Other launch events: N. Ireland, Scotland, Wales
Finale event: Royal Institution of Great Britain

Draw the World

Victoria & Albert Museum

5 October 2002

Gerald Scarfe, Campaign patron, Draws the World

 

Draw the World logo, designed by Quentin Blake, Campaign patron


Generously sponsored by Coutts Retail Communications, Crayola and James Cropper Plc

On entering the V&A each visitor was handed a map, programme and drawing suitcase. The latter contained drawing materials and doubled as a drawing board as well as a safe place for completed drawings. The galleries were a hive of activity as thousands of eager artists of all ages looked intently at the beautiful objects displayed around them. Smooth marble and alabaster sculptures, life models 'on a beach', priceless porcelain, and coutourier costumes provided challenging subjects. Stickers were awarded for drawings in each gallery, visitors added their drawings to the display boards and, at the end of their journey around the world, the drawings could be bound into a travelogue. Volunteer artists were on hand in every gallery to lead and guide the activities.

Gallery
Gallery
Gallery
Dress Court
Dress Court
life models 'on a beach', Europe
Sculpture Gallery
Sculpture Gallery
3 generations, Gallery
Sculpture Gallery
Sculpture Gallery
Sculpture Gallery

Sculpture Gallery

Sculpture Gallery
Main Entrance

The 'Go For It' team (Radio 4): Lorne, Katie & George

Go For It team


And last, but by no means least, to round up the day, a procession through the galleries led by dohl drummers.

Indian dohl drummers, procession

Kids from Le Cateau School who came all the way from N.Yorkshire

Le Cateau School kids

The Raphael Gallery was the focus of attention all day with 24 well-known cartoonists and illustrators taking it in turns to draw on two giant rolls of paper. Besides watching, budding artists could add their contribution to two similar rolls, or even draw the cartoonists at work. Those invited to contribute were Peter Blake, Quentin Blake, Rosie Brooks, Terry Christien, Linda Combi, Barry Fantoni, Michael Foreman, Mik Godley, Michael Heath, Catherine Holden, Katherine Lamb, 'Larry', Peter Markey, Liz & Mario Minichiello, Anna Nilsen, Jan Ormerod, Chris Orr, Adele Prince, Graham Percy, Martin Rowson, William Rudling, Gerald Scarfe, Posy Simmonds and Russell Walker.

Rosie Brooks & Chris Orr

Quentin Blake, Campaign for Drawing patron

Michael Heath
Jan Ormerod & Anna Nilsen
Catherine Holden
Peter Blake
public
public drawing Martin Rowson
Graham Percy & Martin Rowson

public

public
public
Cartoonists' roll on display
A roll on display at the end of the day. The rolls were donated to 'Paintings in Hospitals'
Cartoonists' roll on display

Professional artists demonstrated special techniques or expertise in 7 ground floor galleries. A specific drawing task was set for each gallery and a sticker designed by one of these artists was awarded on completion of this task. Visitors journeyed through Japan, China, India, Islam, Europe, Fashion & Sculpture, creating a travelogue. China - Zhao Yizhou & Yuen-yi Lo; Japan - Peter Cavaciuti & Yukki Yaura; India - Anita Chowdry & Alnoor Mitha; Islam - Nassar Mansur & Saleem Arif Quadri; Sculpture - Philippa Abrahams, Jean Ramsey, Lauretta Rose, Adam Dant; Dress - Stuart McKenzie & Raksha Patel; Europe - Ruth Dupre, Paul Ryan, Susan Stockwell & Paul Dash.

Yukki Yaura, Japan
Anita Chowdry, India
Yuen-yi Lo, China
Nassar Mansur, Islam
Anita Chowdry, Islam
Peter Cavaciuti, Japan

Zhao Yizhou, China

Stuart McKenzie, Dress Court
Stuart McKenzie, Dress Court

Dancers in the Arts of the Islamic World Gallery, inspired by the magnificent Persian Ardabil carpet displayed behind them, drew their gestures on a large piece of paper with charcoal held in hands and feet. This piece was choreographed by Julie Brixey-Williams and performed three times by dancers Patty Woltman and Karen Mok to rapturous audiences.

Patty Woltman
Karen Mok
Karen Mok
Karen Mok & Patty Woltman
Patty Woltman, Julie Brixey-Williams & Karen Mok
audience admiring the 'carpet of gestures'